‘Take a ticket,’ said the man behind the scratched perspex glass.
‘It’s empty,’ said James, glancing at the busted plastic dispenser.
‘Huh?’ The man looked up. ‘Oh, so it is. Well, take a seat to wait and we’ll be right with you.’
‘We?’ asked James. The man didn’t answer.
Turning, James shuddered and stumbled as the room stretched like elastic.
‘Careful there.’
A set of hands steadied him.
‘The voodoo throws you at first. It’s how they fit us all in.’
‘Us all?’ James asked.
‘Yeah, all the demons,’ said the voice. ‘Sorry mate, looks like you got busted.’
With all the poetry I’ve been writing for ‘It’s All In The Blood’ I’m in need of a bit of fiction in my life tonight. It’s amazing how much focus it gives you to have a set word limit on a piece of writing. It makes you go back and think about each individual word. A very useful skill that transfers well into poetry.
Great writing, I love it.
Thank you
Oh, chilling, Carol! and I’m happy you appreciate the value of word constraints, too.
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I love this , i have writen the odd short story between poems , not sure i would be confident enough in thier quality to post them though.