All posts filed under: Poetry

Standardized Time

Whoever standardized time did a piss-poor job. I could tell them for a fact that Wednesday move more slowly when there is less to do, and Mondays always arrive much quicker than they leave, yet Fridays take their sweet time no matter the cheering from the stands because let’s face it they’ve worked out who’s top dog before the firing pistol went off and they don’t need to rush to prove their walking home with gold. Whoever standardized time, did a piss poor job of the whole damn thing. Because a second becomes a moment when the right person holds it, and a minute becomes an hour, when your waiting for the answer or the result, or the next sentence in a conversation you really don’t want to see through. Worst of all is the touch, that barely lasts at all, that goes before you noticed it and leaves you wondering for months if you should have seen it coming.

Echo #Cinquain Poetry – Writing In Fixed Form For Colleen’s 2019 Weekly Tanka Tuesday

Echo. Shadow voices drifting slowly closer. Seconds crackle, shiver, collapse. Silence. The little poem above is a Cinquain written for Colleen’s 2019 Weekly #Tanka Tuesday #Poetry Challenge. Each line has a set number of words, and a set number of syllables. Overall it’s a tiny, tight poem, that like all fixed forms can be a pain in the arse to write well. Fixed Form is probably the hardest poetry to write to a high standard, because the rules mean you have to find words that suit what you’re trying to say, but also fit in with the structure you’ve got to work with. It is just the same when you’re working with a rhyme scheme. You might have a word that paint the right picture for the piece, but it might not rhyme in the way you need it to, so you have to substitute in something else of rework the entire poem. It’s why I write so much poetry in free verse, because that way I don’t feel like I’m hammering my poems into …

Words For Silent, Empty Rooms

I’m still getting used to this lion in my mouth. But sometimes the notion of seen and not heard still aches in my chest, despite the waterfall of words I seem to spout whenever my lips part.   When you’re trying to stay silent, some times it helps if you cover up the abscene with something meaningless and hollow, like empty poetry.   Laughter is also good. If you can laugh about it, it can’t of been so bad.   But time can chip away at you if you let it. Too much silence can eat the soul of you completely. Not matter how small the seed.   If we just don’t mention it, ignore it and carry on, then it’s not that big of a deal so why make a fuss.   Women always make a fuss.   At night I feel silly, walking with my car keys turned to the sharp edge of a key-chain, cold and hard against my palm   Alone is when I think about the school corridor, his face …

The Office Bitch

He called her The Office Bitch, to her face. Drops the comment like a hot coal before she climbs into a taxi home and I turn my car keys over in my hand, heels sharp on the concrete, the elastic in my shoulders twisting tighter as the words sink in.   I can’t help but repeat it, turn the words over in my mouth the needles of the teeth still there, as I wonder if he’d of said the same were she a man. Would she have had to swallow it, if she were a man. Because at worst he would have been a bastard. Not The Office One.   I wanted to add another stanza to this but nothing seemed to work so I’m going to sleep on it any maybe come back to this piece another day. In the meantime I’m relatively happy with how it works at the moment. I’d love to hear your feedback though.