Temper your tongue with candyfloss static.
the bite is enough to ward off words,
stop them before the starting gates
in the narrow space
between crowded molars.
Use teeth to smile
around calorie free pleasantries.
Taste patience becoming poison.
Every syllable sharp.
I’ve started recoding some of my poems and posting them to Tick-Tock. (@caroljforrester) Short and sweet work best, so I’m looking to a lot of my quadrilles as a starting point, and trying very hard not to self-sabotage with worries over how awful I feel I sound in recordings.
My Body Is Like An Envelope
I have the watermarks
from when you steamed my secrets
loose from my skin.
I felt every inch of you tremble,
mouth a tight scream of a spout
shrilling for attention,
You left me unstuck,
spilling words addressed to someone else.
No one held your tongue accountable,
see where I taped down the tears
the places that no longer seal.
Perhaps surprisingly, I always find the harder prompts to be the ones where I’ve done something similar before. I have a poem ready to send out for submission that works an extended simile/metaphor of a shipwreck throughout the whole piece. It can be easy to almost write the same poem again if it fits to the prompt, and I had to go off for a little think before I found a way to work around the old poem still lurking in my head.
I Could Not Care Less About The Light Switch - NaPoWriMo Day Fifteen Prompt
intermediate, mediate, or whatever,
I do not need its technical portrait
imprinted on my retinas.
As if you scored those wires on my eyelids
instead of crumpled fists of paper
our bedroom littered, yes, yes, our bedroom
where I am so desperate to be sleeping,
duvet to forehead, clawed over the ears,
this unbidden seminar of light switch electronics
threatening to blow a fuse in our marriage--
I DO NOT CARE!
I do not need to know why
the switches won't match when the lights are out.
And we have tried every combination
every puzzle box of on and off
to make them fall in to a uniformed march.
It was never a why question, but a general annoyance
of a thing seeming out of place,
like unmatched salt and pepper pots!
Not purposeful, but one being oh-so-slightly shorter?
Thinner? More rounded on the corners?
Not a, "this is salt, and this is pepper difference"
just difference you can't quite pin down
or turn off,
like the bloody light switches
you won't stop explaining,
at two a.m.
when I mistakenly say
'I'm still not getting it?'
Which I admit was really my fault
so I'll take the next round of circuitry analysis in stride
but gods above, will someone smite me,
and while you're at it,
hit the lights.
when the weight of the sea settles on her shoulders,
Continue reading →
she wears a shawl of waves and swims in starless fabric
wishing for sequins.
There is always a watcher,
a little, bobbing boat cresting each swell of her filled lungs
its crew casting nets, for sequins.
Even the sea foam does not glitter
but leaves its watermarks on sun cracked knuckles
passing hand over hand to reel in… nothing.
Caught in their empty net she wishes
This Saturday and Sunday I am selling signed limited edition (there were a couple of typos on the blurb, and the world century instead of millennium in one poem) copies of my collection ‘It’s All In The Blood’ for £5.00. (UK Postage included.)
There are 35 copies available at the reduced price. The discount ends Sunday at midnight.
If you would like to buy a copy then please let me know in the comments below, or email email@example.com
For anyone wishing to purchase outside the UK there is a slight increase to cover postage:
Australian Dollar: $13.46